![]() ![]() While the latter might be true, you’re not the only one who is going through a hard time. You’re not the only one in a tough spot. You might feel like everyone else has it easy, like you’re stuck in an unfair situation. You have to do what’s best for yourself.Ĩ. You can’t let your friends or your coworkers or your hometown sway you. You can’t let your partner guilt trip you into choosing their side. You can’t let your parents peer pressure you into something they want. You can’t worry about anyone else but yourself. You have to make the decision you want to make. Make the most informed decision that you can. You have to listen to what your gut, your heart, and your mind is telling you. You can’t predict the future. You don’t want to make the wrong decision - but you really can’t tell which decision is right until you make it. The reason you’re having so much trouble fixing your issues is because there isn’t one easy solution. After all, if one choice led to guaranteed happiness and the other led to guaranteed misery, you wouldn’t be so stressed out right now. You’re probably going to be picking between two equally crummy choices. ![]() It’s going to seem small in retrospect.ĥ. Although what you’re going through seems monumental now, you’re going to look back on it one day with a fresh perspective. One day, this problem won’t seem so massive anymore. Once everything is said and done, once you move forward with your life, you’re going to look back and feel a weird mix of emotions about this time in your life. You can release your deepest secrets if they’re eating away at you.Ĥ. You don’t have to keep your emotions bottled up inside. Whether you decide to talk to a trusted friend or a therapist, there is someone out there who is willing to listen. No matter how alone you feel in your suffering, you are never really on your own. You don’t need to make your choice right this second.ģ. Relax, do something you enjoy, and then return to the drawing board. Take a breather if you’re feeling overwhelmed. You might not have a long time to figure out what you’re going to do about your issues - but you do have some time. You know you have what it takes to get through this predicament and come out stronger than ever before.Ģ. You know what pain feels like and you know you’re capable of surviving it. Maybe you’ve never dealt with this specific problem before - but you’ve experienced this feeling before. ![]()
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![]() ![]() If you store your files in both places, photos and videos upload twice, which uses more of your Google storage. Tip: If you only store photos and videos, we recommend you backup to Google Photos. You can view your photos and videos from any device online or on the Google Photos mobile app.Photos and videos deleted on your computer remain in Google Photos and vice versa.If you add, edit, move, or delete items from these folders, the changes also reflect on your computer.Synced folders display under “Computers.” You can use your files from any device online or on the Google Drive mobile app.Changes sync between your computer and Google Drive. Drive for Desktop is a program that automatically syncs specified folders on your PC to your online Google Drive account. Edit preferences of already configured folders.On the left, click Folders from your computer.Syncing is the process of downloading files from the cloud and uploading files from your. On your computer, open Drive for desktop. You can use Drive for desktop to keep your files in sync between the cloud and your computer.You can sync files from your computer to Google Drive and backup to Google Photos. Install & set up Drive for desktop Download Drive for desktop If you use Outlook on Windows with a work or school account, send and save files with Microsoft Outlook.Collaborate on Microsoft Office files in real time.Save files and folders for offline use.Your files stay up to date and accessible, any change you make applies across devices.After you sync, your computer's files match those in the cloud.When you sync, your files download from the cloud and upload from your computer’s hard drive.Sync folders from your computer to Google Drive.View and organize your files in your computer’s file system without using storage space.The app will create a folder for your, that exists both on your Gdrive and in your mobile storage. Now choose the option that says: Create sync test. Connect the app to your Google Drive’s account. ![]() Allow the app permissions like your mobile storage. Open files stored on the Cloud directly on your computer. Then go to your android phone and search on the play store: Autosync for Google Drive.That way, your files are always up to date and can be accessed from any device. File Management Backup Google Backup and Sync Backup and Sync is a desktop app for Windows and macOS that backs up files and photos safely in Google Drive and Google Photos. If you edit, delete, or move a file on the Cloud, the same change happens on your computer and devices, and vice versa. Use Drive for desktop to find your Drive files and folders on your computer with Windows File Explorer or macOS Finder. Let me now your doubts if you have any of them.To easily manage and share content across all your devices and the cloud, use Google’s desktop sync client: Drive for desktop. I will upload in the future a guide for doing this but on another app called “SyncThing”, a safer and faster alternative. You can either manually sync everytime you make a change, or go to “Autosync” app on mobile and change the sync time to every 5 minutes. Quick Links Download and Install Google Drive for Desktop Open Google Drive in File Explorer Adjust Your Google Drive Preferences Allow Offline Access to Shared Drive Files If you and your team or coworkers use a shared Google Drive, you may want quick and easy access to it. Then go to obisidian for windows: select “open a folder as vault” and select the vault within the folder Autosync did for you. Finally open your Obsidian app and create a new vault within the folder that Autosync created for you.You can also setup your own folder, but I don’t really know how that works. Now choose the option that says: “Create sync test”. Allow the app permissions like your mobile storage. How to sync Content across all Devices with Google Drive for Desktop We all know and have been using Google Drive from its web platform or our mobile. Then go to your android phone and search on the play store: “Autosync for Google Drive”.Then go to this page: Download - Google Drive and scroll down to the “For users” option to download gdrive on windows. You will need Gdrive service “Backup and Sync from Google” to see google drive on your file explorer. Open the following link: Back up & sync files with Google Drive - Computer - Google Drive Help And follow the instructions.This is an alternative to Obsidian sync paid service, using Google drive, a android phone and a windows computer. ![]() ![]() ![]() If the file has been modified from its original state, some details may not fully reflect the modified file. This file contains additional information, probably added from the digital camera or scanner used to create or digitize it. We are not responsible for your activity. Toggle navigation Registration Fill your jabber/email account below for continue registration jabber/email cannot be blank. Enjoy socks and proxy service, register or login. ![]() This image was originally posted to Flickr by Beryl_snw at It was reviewed on 19 July 2020 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-zero. Faceless cc register, clean residential socks and proxy. Use faceless cc socks and proxy for clean residential socks. CC0 Creative Commons Zero, Public Domain Dedication false false You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission. The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication. ![]() See our general disclaimer for more information. Though not obliged to do so, the uploader may be able to help you to obtain such evidence. In these cases, a model release or other evidence of consent could protect you from infringement claims. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.Personality rights warningAlthough this work is freely licensed or in the public domain, the person(s) shown may have rights that legally restrict certain re-uses unless those depicted consent to such uses. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. Website on the domain is owned and operated by SIA Circle Solutions, registration No.: 40203060555, registered at: Beberbeku iela 34J-1, Riga, LV-1029, Latvia. This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. This image was originally posted to Flickr by Beryl_snw at It was reviewed on 19 July 2020 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-zero. Proxifier is software that allows network applications that dont accept proxy servers to use a SOCKS or HTTPS proxy or a chain of proxy servers instead. on 19 July 2020 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-zero. See our general disclaimer for more information. File:A girl wearing white socks March 2016 (04).jpg. Personality rights warningAlthough this work is freely licensed or in the public domain, the person(s) shown may have rights that legally restrict certain re-uses unless those depicted consent to such uses. ![]() ![]() They're very specific that the file must be. pixel elements using Inkscape? I just don't know what the problem is.ĭruban - Yes, they may very well be using an Adobe app. Unfortunately, according to the printer the file still contains pixel elements, and they won't accept it. for my previous two designs, I had similarly opened a pixel graphic, traced it, and saved it as an. Okay, I did manage to solve the first problem of saving the file in. Not sure if the color profiles in inkscape itself mean that much.adjust at system level. If you already knew all that (or more) just ignore. so when it gets printed, subtle shadows and gradients impossible to render on screen still will show up on the print. printing ppl work with graphics of higher bit depth than even shows on screen. this way you'll get the colors on the print that you designed on screen.Įven with the inherent flaws with color rendering in display technology, print technology is generally much better (in professional outfits). the "gamut" is one of the few colorspace industry standards. Make sure your monitor is color callibrated, and do that using the correct "gamut". which understandably is not what a printer wants. embedding the svg as a raster picture inside a eps file. The online conversion service is probably rasterizing the svg before converting into eps, i.e. Print shops can and do create their own color separations.Īll you probably need to do is flatten the 3 layers into one layer and then the export to eps should work for you and printer. Thanks in advance! Any help is appreciated. eps while preserving the three different layers (the T-shirt company requires that each print colour be on a different layer in the design)? eps, which I believed had worked until the T-shirt company rejected the design for being a pixel graphic. In a last ditch effort to solve the problem, I used an online service to convert the SVG to. I've saved the file as an SVG, reopened it, and tried to save as an. eps in another program, it only includes one layer of the design. eps, the program works for several minutes, then I get the message "File could not be saved". png image, traced the bitmap, then filled the vector with a colour. The only difference between this and the previous designs is that it has multiple layers (three total). I've already saved and submitted two vector designs successfully, but the third is giving me problems. I'm using Inkscape to vectorize a few pixel designs for a T-shirt manufacturing company that requires. I've searched the forum and read through the "How do I open/save this filetype?" thread, but I haven't found an answer. I'm new to Inkscape and to vector graphics in general, so apologies in advance if this is an Inkscape 101 question. ![]() ![]() ![]() Battle of Okinawa - 'The Pacific' (Part 9) ![]() ![]() The photographs of the carnage after the attack - including bodies that were charred from the bombing - were so violent and disturbing that many media outlets refused to publish them.įans of the show await the final season - and inevitable undead dragon damage to come - with dread and morbid anticipation.īTS Okinawa w/ Tom Hanks and WWII Veterans | The Pacific | HBOĦ. The lines of destruction are reminiscent of the Highway of Death during the Persian Gulf War, when aircraft destroyed hundreds of Iraqi vehicles on Highway 80. Jaime and Bronn had become well-loved characters whose humanity was really revealed when they took in the harrowing aerial assault. The scene took 14 months to plan and 18 days to shoot, shifting from multiple characters' points of view but it was the perspective on the ground that was so gripping. The director, Matt Shakman, likened the destruction to that of napalm or an atom bomb the magnitude and heat of the flame was enough to turn people to ash in an instant. The sheer and immediate destruction wrought on the Lannister army by dragon fire was enthralling and horrifying. Whenever Daenerys Targaryen gives the command "Dracarus," she proves just how dramatically airpower changed war. The Loot Train Attack - 'Game of Thrones' (Season 7, Episode 4) Game of Thrones: The Loot Train Attack (HBO)ĥ. Most importantly, "Silence" left fans of the show with a sharp introduction to the depravity that can be expected from the final season's newest villain. The seven-minute scene took weeks to film and was shot with 40 stuntmen, six cast members, and all of the crew on the set, which was slippery from rain and actually burning with real fire and ember guns, spraying flaming ash through the air. Not only are the heroes of this battle captured, killed, or forced to flee, their ships are sunk to the Narrow Sea's version of Davy Jones Locker in a sound defeat, reminiscent of World War II's "Ironbottom Sound," where the Imperial Japanese fleet dealt a crushing blow to American and Australian forces at Savo Island in the Pacific. They were inspired by riots, where the violence is chaotic and encroaching. For the battle, filmmakers cranked up the frame rate and filled the camera with too many people and fights to follow. Euron Greyjoy's fleet ambushes his niece, Yara's, in the night and the attack quickly descends into fire and brutality. Battling the Silence - 'Game of Thrones' (Season 7, Episode 2)īattling the Silence was not the first groundbreaking naval battle in Game of Thrones, but even without Wildfire, it managed to be the most epic. Inside Game of Thrones: Battling the Silence (HBO)Ģ. It's not until the battle is done that the camera reveals how affecting combat truly is. The characters are just as annoyed about trying to get the caravan to back up as they might have been while stuck in traffic back home in the States. What's especially eerie is how accustomed they are to this environment. Dealing with faulty equipment, communication chaos, confusion, unknown enemy numbers or locations, and treating wounds in the field are all common scenarios for deployed troops. The battle pitted Marines in Humvees against an insurgent attack force that allowed the viewer to perceive combat, through the characters' eyes, exactly the kind of asymmetrical warfare our service members experience overseas. Rudy Reyes, who plays himself in the show, selected this particular ambush as one of the most impactful of the series. The seven-part miniseries from HBO realistically depicts the Marines, from the heroic moments to the horrifying mistakes. Generation Kill tells the true story of 1st Reconnaissance Battalion during the invasion of Iraq in March, 2003. Battle of Al Muwaffiqiyah - 'Generation Kill' (Episode 5) ![]() ![]() ![]() In Crumb’s depiction, the Sodomite mob’s confrontation with Lot seethes with hostile, barely repressed lust. The human events of Genesis, though frequently tumultuous, sometimes permit image-making that recalls Crumb’s better known work: Adam joyously jumping Eve in the Garden of Eden, Noah drunk and naked in his tent, Pharoah’s lustful wife, scorned and shrieking after Joseph. Crumb’s aged Abraham, submerging grief into duty, is rigidly stoic as he prepares to sacrifice his only son. More august Biblical figures project recognizable human motivations, even in the book’s most heightened circumstances. Crumb invests this cast of thousands with cultivated observation of both physiognomy and character, and his characters, even when only briefly glimpsed, resonate authentically as flawed strugglers. His Biblical people are frequently scruffy, sometimes surly, sometimes shabby, and the book’s genealogical accounts teem with countless invented faces in a variety of attitudes. The world of Crumb’s Genesis is a modest one of herds and huts, in which both sustenance and status are measured in hard-won material dimensions.Ĭharacters literally proliferate within Crumb’s well-realized environments. He generally avoids outsized panels and oblique points of view, hallmarks of burlesque and melodrama, to keep this story as grounded as possible in basic human terms. But compositionally-and therefore dramatically-Crumb keeps his images fairly neutral, even deadpan. This largest self-contained piece of work by Crumb to date showcases his virtuoso ability to incorporate densely crosshatched detail into functionally narrative cartoon drawing. Throughout, Crumb’s fine but unfussy pen drawings stand alongside their prose source, revealing his choices without obscuring their origins. As the book progresses to dwell more minutely on events in the lives of Abraham, Isaac, Jacob, and Joseph, the text’s increasingly episodic narrative pace permits a fuller deployment of Crumb’s traditional storytelling techniques. His discontinuous panels sometimes highlight the text’s elisions and staccato rhythms, but embroider dry recitations of names and places with vivid details of setting and character. Dutifully suppressing his own narrative voice, Crumb matches the book’s peculiar cadences with carefully drawn cartoon visualizations. Crumb suggests in his introduction and endnotes that these point to Genesis’s own sources, incompletely edited to conceal evidence of an earlier, displaced matriarchy. And yet, the original prose often presents narrative discontinuities, lists, redundancies, and ambiguities, particularly in its earlier chapters. Genesis details a clear narrative arc: God’s creation of the world and its inhabitants, humankind’s subsequent offenses and exile, and the covenant God establishes with a chosen lineage over succeeding centuries. If the Biblical Genesis is not sacred to Robert Crumb as divine writing (and, he confesses in his introduction, it isn’t), its text remains functionally sacred as source material for an auteur who has chosen, for this project, to produce his adaptation as a self-described “straight illustration job.” This literalist strategy is distinct from most approaches to adaptation, including Crumb’s own less extensive, earlier treatments of works by Kafka, Krafft-Ebing, Boswell, and Sartre. Massaging together various translations, Crumb’s elaborately hand-drawn and hand-lettered adaptation incorporates every single word of its prose source. ![]() The book’s quick pitch suggests a blasphemous bestseller, guaranteed to supply throaty laughs to its secular readers-if it doesn’t inspire violent protests among the faithful.īut since Crumb first announced this project in 2005, he has repeatedly insisted that his treatment of Genesis would be respectful and literal. There is no more notoriously recalcitrant American cartoonist, and one can truly say that the source text is bigger than Jesus. ![]() Crumb, iconic as comics’ greatest iconoclast, has, at 65, taken on the Word of God. Indeed, The Book of Genesis Illustrated is a bookstore-ready graphic novel debut with a killer high concept: Countercultural antihero R. ![]() But this fascinating project, though vastly different from Crumb’s best-known work in tenor and form, is impelled by many of the same confrontational strategies and ethical preoccupations that mark his singular career: one that has-until now-resisted the fast-drying conventions of the graphic novel format. Robert Crumb’s new, long-form comics adaptation of the Book of Genesis may be more immediately accessible to casual graphic novel readers than to devotees of the celebrated cartoonist’s satirical, psychedelic, sexual, and endlessly self-excavating short-form comics of the past forty-two years. By: Bill Kartalopoulos | October 13, 2009 ![]() |
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